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SoundBoost presents

Music Video Generator Your song, directed.

Upload your song. Our AI music video generator brings years of SoundBoost music technology together: it storyboards every scene for you to approve, then cuts a full-length film to your beat.

Make your music video Free 30-second storyboard preview
  • A five-minute film ≈ $33 in credits
  • Storyboard first
  • Lip sync
  • Full-length, up to 1080p
  • No watermark
  • Commercial licence

Now showing 01/13

Two photos → her film, lip-synced

Somebody To Love · Gen R8 Tiv Art

In
Two photos of the singer, no references
Out
Her film, lip-synced to her own vocal

Consistent characters

Music videos with lip sync

Tick lip sync when you upload, and the singer on screen sings your song. In every scene where they perform on camera, the mouth follows the vocal of your actual track, taken from that exact moment of the song.

Sound plays only when you tap. Each clip is a few seconds of the finished film, with the artist’s own song.

Sung or instrumental, any genre. Vocals get lip sync; on instrumentals, the story does the singing. Tap a singer to hear it.

Your vocal, on their lips.

Turn on lip sync and the singer performs your actual track: every performance scene is filmed to your vocal, so the words land exactly where you sing them.

See what your song looks like.

Bring the track and a line of direction, or nothing at all. The generator hears the song, writes the story and draws every scene first, so you see your film before a single shot is rendered.

Make a lip-synced music video

Cinematic direction, storyboard first

One picture in, a whole film out

Every film starts from what you upload: a photo, a painting, a few lines of direction, your lyrics, or nothing at all. These are real references next to the films they became. Your references set the look, the people and the colours of every scene.

What came out

Same woman, every shot.

Her character sheets and a stack of neon references. The film puts her inside those rooms and never loses her face: a blue apartment that keeps leaning, a chorus line of her under crossed lasers, a checkerboard floor of giant daisies.

What went in

  • Input: Ravenna West’s character sheet, uploaded for A Little Bit Sideways
  • Input: a neon reference, a room of glowing waves with an old television and red lamps
  • +11 more

Direction

Ravenna is perfectly comfortable while the world around her runs slightly sideways: frames tilt, words slide, doors open at odd angles. Stylish, funny, a little surreal, and the same woman in every shot.

Ravenna West stands centred between two lamps in a symmetrical teal living room, then the whole room tilts sideways around her, from A Little Bit Sideways
  • Ravenna laughs into a cream corded phone in an arched doorway, globe lights running down the blue corridor behind her, from A Little Bit Sideways
  • Four Ravennas dance in step under crossed teal lasers on an empty stage, from A Little Bit Sideways
  • Ravenna twirls her dress on a checkerboard floor among giant daisies, from A Little Bit Sideways

A Little Bit Sideways · Ravenna West · House · 3:37 · 64 scenes · lip-synced

Start from your own picture

The making of

How to make a music video from your song

Four steps. Motion, the expensive part, only starts after you have seen and approved every scene.

  1. Upload your song.

    MP3, WAV, FLAC, M4A, AAC, OGG or AIFF, up to 1 GB and anywhere from five seconds to two hours long. Uploading and analysis are free. Mastered with SoundBoost? Send the master straight from Projects.

  2. Direct it, or don’t.

    Write a line, a named look or a full treatment in your own language. Add reference images, photos of the main character, the song’s lyrics as inspiration, or nothing at all. Prefer to talk? Dictate your direction.

  3. Approve the storyboard.

    A director model writes one story for the whole song and a shot list in bars. Every scene arrives as a still with a title, a story and a timecode. Retake, edit or rewrite any of them; nothing is filmed until you approve.

  4. Get the film.

    Every scene’s motion is shot in parallel and cut to your track, so a full-length film is usually ready about twenty minutes after you approve. Close the tab if you like: an email arrives when it is done.

The generator’s first screen: Off uploaded and ready to play, its logo added as a style reference and a portrait of Berkan as the main characterThe generator asks for a direction before the storyboard: “Go wild. Tell us the clip only you would make.”, with the option to continue without oneOff’s storyboard open in the scene viewer: scene 04, “Flooded underpass”, 0:08 – 0:13, a full-size still of a masked man wading through a flooded underpass
  1. Storyboard still for scene 1 of Off: Listening

    Listening

    We meet him in a bare room, half his masked face cut out of the dark by a beam from the street. He is listening to something we cannot hear yet.

  2. Storyboard still for scene 2 of Off: The rooftop he left

    The rooftop he left

    A hard cut to a wet rooftop where a small reel-to-reel recorder sits alone in the gravel, its green lamp burning. Nobody is there to collect it.

The first two scenes of Off’s storyboard (placeholder name replaced), and the same seconds of the finished film.

Now showing

Music videos made with SoundBoost

From dream pop to thrash metal, painted, animated or photoreal: every film here comes straight from the generator’s public showcase. Each card says what went in, from a single photo to no prompt at all. Open any film to watch it in full.

Showing all films

A singer in an orange kaftan plays an acoustic guitar on a seaside terrace at sunset, from Somebody To Love, a lip-synced synth-pop music video by Gen R8 Tiv Art
  • Lip sync

Somebody To Love · Gen R8 Tiv Art

Synth-pop · 3:38 · 49 scenes

In: Two photos of the singer. No references.

Two photos and no references: a Mediterranean town, a lover, a guitar and a rooftop under paper lanterns.

@GenR8tiv_art
A woman with long braids leans over a candlelit desk and a half-written letter, from The Last Letter, a chillwave music video by Ravenna West
  • Lip sync

The Last Letter · Ravenna West

Chillwave · 5:43 · 72 scenes

In: One portrait and a written scene.

One portrait and two sentences became a five-minute memory of blue corridors, forget-me-nots and a letter sealed in wax.

@SheriBanks
A woman in white lace sings to camera in front of black-veiled mourners on a grey hillside, from Woke Up Dead, a lip-synced dream pop music video by Pastor Fussycat
  • Lip sync

Woke Up Dead · Pastor Fussycat

Dream pop · 4:07 · 99 scenes

In: Three portraits of Kai and eight fashion stills.

Kai, the only figure in white, sings her way through a black-clad gothic world in grey monochrome.

@FussyPastor
A grey alien in a velvet jacket with a glowing blue collar sings with joy in front of a spiral galaxy, from Let’s Groove, a lip-synced fan music video
  • Lip sync

Let’s Groove · Earth, Wind & Fire

Disco funk · 3:55 · 49 scenes

In: One photo of a grey alien and two club references.

A grey alien boards a floating airship club and sings every line under a spiral galaxy.

Fan film. Not affiliated with the artist or label.

A watercolour girl drifts in a Botticelli shell attended by winged pugs, from Uyurgezer, a hand-painted dream pop music video by Öykü
  • Lip sync
  • By our team

Uyurgezer · Öykü

Dream pop · 2:32 · 39 scenes

In: Three of her watercolours and three photos.

She sleepwalks from her bed to a Botticelli shell and an open sea, and every frame stays in her brushwork.

A bald, wide-eyed man in a pale smock turns from his seat in a packed opera house whose stage curtain is painted with a giant grin, from Love Is A Joke, a black-and-white trip hop music video by Daniel Ilchuk
  • Lip sync

Love Is A Joke · Daniel Ilchuk

Trip hop · 2:45 · 58 scenes

In: Five images of Subject 01 and eight sepia plates.

A state where love is a crime: Subject 01 follows a stranger underground, and a packed opera house has watched it all.

@ILCHUKAI
A woman with long braids holds a bouquet of blue and white flowers in a teal room, from A Little Bit Sideways, a house music video by Ravenna West
  • Lip sync

A Little Bit Sideways · Ravenna West

House · 3:37 · 64 scenes

In: Five character sheets and eight neon references.

A blue apartment that keeps leaning, a checkerboard floor of daisies, and the same woman, perfectly calm, in every shot.

@SheriBanks
A clay puppet sits by a rainy window with a cruise ship in the harbour, from the clay-animation music video Round and Round by VYD3N

Round and Round · VYD3N

Synth-pop · 3:18 · 46 scenes

In: Five angles of a clay puppet and eight set stills.

Clay animation: a technician waits in a motel room by an Alaskan harbour that folds, circles and closes over him.

@VYD3N
A long-haired man with a briefcase walks past a misty pool at a villa in black and white, from the hard techno music video I’m Techno by AMOAN

I’m Techno · AMOAN

Hard techno · 3:09 · 69 scenes

In: Eight live photos and the story of the track.

High-contrast monochrome and the same long-haired silhouette from the basement to the villa and back.

A woman laughs across a sunlit kitchen table from a man in a beanie, from If You Turn Your Back, an alternative rock music video by Echoith
  • Lip sync

If You Turn Your Back · Echoith

Alternative rock · 3:59 · 42 scenes

In: Two photos: him at the table, her laughing.

Forty-two scenes in one house that change the light instead of the location: blue now, gold in memory.

@OfficialEchoith
A teapot-headed trumpeter in sunglasses under a red streetlamp, from Slap Bass and Bicycle Horns, a funk music video in 1970s gouache by Glenn Williams

Slap Bass and Bicycle Horns · Glenn Williams

Funk · 2:00 · 32 scenes

In: Five sheets of Earl and two paintings of his town.

A teapot-headed trumpeter crosses a gouache city to his one gig tonight, deadpan, like a moving 1970s paperback cover.

@GlennHasABeard
A giant walker machine shines its spotlight on a haloed figure with arms spread above a ring of kneeling hooded figures in a foggy square, from the trap music video Doppelbangin’ by Pastor Fussycat
  • Lip sync

Doppelbangin’ · Pastor Fussycat

Trap · 3:25 · 85 scenes

In: Three faces and eight frames of fog and walkers.

A fogbound city of walker machines and scan lights, and a pale cyborg who performs straight into them.

@FussyPastor
A man wearing a masked-headphones logo as a mask in a bare room lit by a street lamp, the first frame of Off, a coldwave music video made with no prompt
  • No prompt
  • By our founder

Off · Berkan

Coldwave · 5:03 · 74 scenes

In: The SoundBoost logo and a portrait. No prompt.

Not one word of direction: the logo became the mask, and its green grid the colour of every lamp.

A woman in a pale dress stands in a still lavender lake at dawn, from Yeraltından Otlar, a painterly indie folk music video by Eksilerek

Yeraltından Otlar · Eksilerek

Indie folk · 4:15 · 55 scenes

In: Four painted references and a long brief.

Four paintings fixed the palette, the man, the woman he is forgetting and the jar, across 55 scenes.

An anime girl with a sword stands on a rooftop as a violet storm engulfs the city, from Underworld, a J-pop music video by Mikan

Underworld · Mikan

J-pop · 3:06 · 45 scenes

In: Five character sheets and two mood frames.

A rainy walk home that stays small and grey until the violet apocalypse can be enormous.

A graffiti-covered spiral staircase descends into the dark in black and white, from Lost in Catacombs, an industrial metal music video
  • By our founder

Lost in Catacombs · Berkan Cesur

Industrial metal · 3:00 · 39 scenes

In: Six photographs of the real tunnels.

One first-person night under Paris, in black and white, cut on the riff.

A singer raises both arms over a burning festival crowd in screen-print colours, from Prey For Me (Thrash Remix) by Pastor Fussycat
  • Lip sync

Prey For Me (Thrash Remix) · Pastor Fussycat

Thrash metal · 3:02 · 89 scenes

In: One singer and eight fire-poster references.

A screen-printed gig poster in every frame: the style held for 89 scenes, never a muted colour.

@FussyPastor
An ink drawing of a girl floating above her bed as headphones and a cassette player drift up, from the indie rock music video Nan Nan by Nana

Nan Nan · Nana

Indie rock · 3:39 · 101 scenes

In: One drawing and a paragraph.

A bedroom where gravity slowly turns upside down, arriving at the exact drawing on the final chorus.

A red sun sets behind a torii gate over a cyber city under ukiyo-e clouds, from From The Future, a dubstep music video by Chuck Tone

From The Future · Chuck Tone

Dubstep · 4:04 · 62 scenes

In: Eight images and a timed treatment.

The cover art as canon: ukiyo-e clouds, gold leaf, walls of speakers and a red sun over torii gates.

@TheChuckTone
An ink drawing of a lone farmhouse at the end of a white road under a gnarled tree, from Dark Thoughts, a dark trap music video by illi.gg

Dark Thoughts · illi.gg

Dark trap · 2:02 · 52 scenes

In: Five portraits and eight ink references.

Stark black-and-white ink for an instrumental made for an upcoming game: one night, one house and the fields around it.

@illi_gg
Orange goldfish swim through a turquoise watercolour tunnel towards the light, from Eucalyptus, a darkwave music video drawn in ink and watercolour
  • By our founder

Eucalyptus · Berkan

Darkwave · 4:52 · 93 scenes

In: Three scanned artworks and five phone photos.

The artist, redrawn in his girlfriend’s ink and paper grain, walks through her watercolour world.

A runner in white races down a wet road under a street lamp in black and white, from Prey For Me, a trap metal music video by Pastor Fussycat
  • Lip sync

Prey For Me · Pastor Fussycat

Trap metal · 4:04 · 91 scenes

In: Two character portraits and seven stills.

A monochrome chase in heavy grain: a runner in white on wet bridges and colonnades.

@FussyPastor
A woman in white climbs a red-carpeted white stair towards a black gothic gate under a grey sky, from Heartbreak (Dreampop Remix), a lip-synced dream pop music video by Pastor Fussycat
  • Lip sync

Heartbreak (Dreampop Remix) · Pastor Fussycat

Dream pop · 3:43 · 61 scenes

In: Five studies of the singer and eight dream paintings.

A grey-green dreamworld where the only colour is red, from a field of grass to a cathedral stair.

@FussyPastor
A tattooed preacher in gold sunglasses and a black latex cassock sings from a marble pulpit with a fan of daggers in his back, in a candlelit basilica full of people, from 7 Daggers, a lip-synced techno music video by Pastor Fussycat
  • Lip sync

7 Daggers · Pastor Fussycat

Techno · psy-trance · 2:07 · 58 scenes

In: Five shots of the singer and eight gothic stills of latex habits and confessionals.

A gilded basilica of latex-clad sisters and sweating priests, where his own congregation stabs him mid-sermon and he keeps preaching.

@FussyPastor
A long-haired producer works the faders of a mixing console in a dark studio, from 13, an EBM music video by AMOAN

13 · AMOAN

EBM · electro · 2:29 · 49 scenes

In: Cover art, a logo, a tattoo photo and three portraits.

The artist’s face holds in every scene, and the last scene lands frame for frame on the album cover.

Your song could be next.

Make your music video

Try it free: a 30-second storyboard preview of your own song.

The edit

Cut to the beat of your actual track

Before a word of story is written, the engine listens: tempo, beats, bars, sections, drops, kick and snare hits, vocal entries. The shot list is written in bars. Loud passages get quick cuts, quiet ones long takes, and every cut is checked against the grid of your song before the film is delivered.

A bride in a white veil and gown stands with nuns at the arched door of a stone chapel on a grassy hilltop, at 0:56 in Woke Up Dead

Years of audio research, now behind the camera.

For years we have built the audio analysis and stem separation behind SoundBoost’s AI mastering and our free vocal remover and stem splitter. Joined with the newest video models, it hears every kick, snare and vocal entry in your mix, so the cut follows what you actually hear. That is how we built what we believe is the world’s best music video generator.

Woke Up Dead by Pastor Fussycat, 4:07: the engine’s edit of his storyboard. Each tick is a cut or dissolve measured in the finished film; the shape underneath is the song’s loudness. The quiet opening holds its shots. In the loudest chorus the picture changes twice as often, on the beat.

Continuity

Your face and your artwork in every scene

  • Input: a man in a grey beanie, glasses and a denim jacket at a kitchen table under fairy lights
  • Input: a woman in a denim shirt laughs over a mug of coffee
Both inputs shown
In the blue kitchen at night he sits by the window in the same beanie and glasses, her denim jacket on the empty chair, If You Turn Your Back at 0:00
In a golden memory she laughs across the table from him, the same beanie and glasses, If You Turn Your Back at 0:28
He walks toward the camera down a narrow blue hallway, If You Turn Your Back at 0:45
A close-up of him singing in the blue dark, the same beanie and glasses, If You Turn Your Back at 2:05
She swings the denim jacket onto her shoulders in a sunlit hallway, If You Turn Your Back at 2:52
He stands in a hallway of peeling paint as streaks of gold light cross it, the same beanie and glasses, If You Turn Your Back at 3:31

If You Turn Your Back by Echoith: two photos went in. Across 42 scenes, in the blue present and the golden memories, the beanie and the glasses stay with him.

  • Up to three main characters.

    Add a few photos of each, up to five, and the same face stays recognisable from the first shot to the last. Identity holds best in close and medium shots; in a wide shot the face is small. Characters the story invents get one look of their own and keep it.

  • References build the world.

    An album cover, a painting or a location photo becomes the palette, the place and often the final frame. Lettering on a cover is not copied into the frames. Add two references on a free account, up to eight on a plan.

  • A named look holds.

    Choose colour or black and white, and stack POV, Handheld, Dreamlike or Vintage. Or name a director, a decade or a palette in one line, and it holds for the whole song. Your written direction always wins over the presets.

No surprises

See every scene before you pay for motion

Most of the cost of a music video is motion. Here it comes last, after you have seen every scene as a still and approved it.

Worked example · estimateOff · Berkan · 5:03 · 74 scenes · 768p Cinematic
StepCredits
Upload and song analysis0
Director’s treatment, 2 song windows × 4590
Storyboard, 74 stills × 2148
You approve
Motion, 74 scenes × 201,480
First film render0
Total1,718 credits

Regular price: about $68

≈ $33 at the launch price

  • Nothing above the line commits you to the film.
  • Lip sync adds no credits during the launch promo.
  • A retake costs 3 credits a still, a rewrite 15.
  • The same film at 480p Fast: about 520 credits of motion.
Off is by SoundBoost’s founder. The estimate assumes one take per scene; your real price is shown before every step.

Storyboard first.

Stills cost a few credits each. Motion is the expensive part, and it only starts when you approve. On a free account you can preview the first 30 seconds of any song’s storyboard.

Every price before you press.

Each paid step shows its cost first. Credits are reserved, only completed work is charged and the rest is released. If a film needs more than estimated, it pauses and asks instead of spending on.

Change anything later.

Retake, edit or rewrite a scene, upload your own image as the frame, or go back to any earlier take: every take is kept. Then regenerate the film; scenes you did not touch reuse their clips at no charge.

Start my free storyboard preview

End credits

What you get with every film

Directed by
your song
Starring
you, if you add a few photos
Edited by
the beat
Crew
none required

Full-length, up to 1080p, no watermark.

The film always covers the whole song, first bar to last: a 16:9 MP4 up to 1080p with your original audio, streamed in the browser, downloadable in full quality, and shareable with a public link to the film alone. Every take you render is kept.

A commercial licence.

Every film carries a commercial licence, so it can go out as your song’s official video on YouTube, on streaming services and across social media. You need the rights to the music you upload.

The creator pack.

With an active Music Video plan, one zip holds everything behind your film. It uses no credits and arrives as a 48-hour link.

creator-pack.zip

11 items

Included with a Music Video plan · no credits

  • Full-quality film
  • Clean cut, without VFX or grade
  • Animation and VFX layer, on its own
  • Every storyboard still
  • Every video clip that was shot
  • Cast portraits
  • Storyboard document
  • The song as lossless WAV
  • All stems
  • Lyrics, auto-transcribed
  • Editor timeline for Premiere, Resolve and Final Cut, with beat markers

Box office

Is there a free AI music video generator? What SoundBoost costs

Try it free.

Sign up free and make a 30-second storyboard preview of your own song: the opening scenes as stills, two a day and four a month, or eight a month with a SoundBoost mastering or stem-splitter membership.

Plans and credits.

Launch prices last while the discount does. Every plan has the full engine; bigger plans add credits, characters and tools. Credits never expire, yearly billing saves 20%, and you can cancel any time.

Launch discount · about 50% off · Limited time

  • Starter

    $29/moregularly $59

    billed monthly

    $23/moregularly $47

    billed yearly ($276)

    • 1,500 credits a month18,000 credits up front
    • About 1 five-minute film a monthAbout 10 five-minute films a year
    • 1 main character
    • Every scene tool
    Start on Starter

  • Creator

    Recommended

    $49/moregularly $99

    billed monthly

    $39/moregularly $79

    billed yearly ($468)

    • 3,000 credits a month36,000 credits up front
    • About 2 five-minute films a monthAbout 21 five-minute films a year
    • 1 main character
    • Every scene tool
    Start on Creator

  • Director

    $99/moregularly $199

    billed monthly

    $79/moregularly $159

    billed yearly ($948)

    • 6,250 credits a month75,000 credits up front
    • About 4 five-minute films a monthAbout 44 five-minute films a year
    • 2 main characters
    • Every scene tool+ Auto QC & retakes
    Start on Director

  • Professional

    $199/moregularly $399

    billed monthly

    $159/moregularly $319

    billed yearly ($1,908)

    • 13,000 credits a month156,000 credits up front
    • About 8 five-minute films a monthAbout 91 five-minute films a year
    • 3 main characters
    • Every scene tool+ Auto QC & retakes+ Research the world
    Start on Professional

What a film costs.

Off runs 5:03 with 74 scenes. At 768p Cinematic, the quality behind the showcase films, it comes to roughly 1,700 credits, storyboard included: one month of Starter and a 500-credit pack. With 480p Fast motion, the motion would have used about 520 credits. Most full-length films land between about 1,500 and 2,500 credits at 768p Cinematic; films with a hundred scenes or more use more.

Make your music video

Plans open from the generator, one click from the upload.

Plans and credits in the guide

Honest comparison

Which is the best AI music video generator for your song?

Tools sold as music video generators or makers make very different things. Here is an honest map by kind of tool, not by brand.

What each kind of tool makes
SoundBoosta directed filmAudio-reactive visualisersStock-footage editorsPhoto-to-singing appsGeneral text-to-video
A story across the whole songYes, one treatment for the whole trackNoPartlyNoYou assemble it
Your face, consistentYes, up to 3 charactersVariesNoYes, from one photoYou manage it
Lip sync on your vocalYes, in performance scenesNoNoYesSome tools
Approve stills before motionYes, the storyboardVariesNot neededNoYou manage it
Edit locked to bars and beatsYesYesYesNoYou edit it
Best forA directed video for a released songLive visuals and loopsQuick promo edits from stock clipsOne singing portraitSingle shots you edit yourself

Bring your track

A music video from any audio file: Suno, Udio, your DAW or your SoundBoost master

Any song you can export as an audio file can become a music video: MP3, WAV, FLAC, M4A, AAC, OGG or AIFF, from five seconds to two hours, up to 1 GB. Mastered with SoundBoost? Open the master in Projects and choose Generate music video; it is copied over without a download. You need the rights to the song.

  • MP3
  • WAV
  • FLAC
  • M4A
  • AAC
  • OGG
  • AIFF
Questions, answered

Music video generator FAQ

An AI music video generator, or music video maker, makes a full music video from a finished song, no crew needed. SoundBoost hears the track first (tempo, bars, sections, drops, kick and vocal), writes one storyline for the whole song, shows you each scene as a still to approve, then films it and cuts it to the beat.

Start with the song as an audio file, such as an MP3 or a WAV. Add a line of direction, a reference picture or some photos of the singer, or nothing at all. Go through the storyboard scene by scene, retake what you don’t like, then approve, and the film returns cut to your song as an MP4.

Partly. You can sign up free and make a 30-second storyboard preview of your own song: two a day, four a month (eight with a SoundBoost mastering or stem-splitter membership). Full storyboards and finished films use credits from a Music Video plan, and every price is shown before anything is spent.

Plans start at $29 a month for 1,500 credits during the launch discount (regularly $59), and credits never expire. For scale: Off, a 5:03 film with 74 scenes, comes to roughly 1,700 credits at 768p Cinematic quality, storyboard included. Fast or 480p motion costs fewer credits, and every step shows its price before you approve it.

Yes. Tick Lip sync when you upload the song, and in every scene where the singer performs on camera, their mouth follows the vocal of your actual track, from synth-pop to thrash metal. It runs at Cinematic quality and needs a sung vocal, so instrumentals never lip-sync. During the launch promo it adds nothing to a scene’s motion price.

Yes. Give the main character a few photos and the same face stays recognisable from the first scene to the last, strongest in close and medium shots. Depending on the plan, a film can carry one to three main characters, each built from up to five photos. Album covers, artwork and location photos set the world around them.

No. Off began as nothing more than a logo and a portrait, without a single word of direction. A sentence, a named look such as “Wes Anderson pastel symmetry”, a full treatment in your own language, reference images or the song’s lyrics can all steer the film. None is required.

Upload WAV, MP3, FLAC, AIFF, M4A, AAC or OGG, up to 1 GB. Songs made with Suno, Udio or any DAW work the same way: export the finished track as an audio file and upload it. You need the rights to the song.

The storyboard preview takes a few minutes, and scenes appear as they are ready. After you approve the storyboard, a full-length film is usually ready in about twenty minutes, because every scene’s motion is shot in parallel. You can close the page while it renders; an email arrives when the film is ready.

The film always covers the whole song, first bar to last, so it runs as long as your track. Loud passages get quick cuts and quiet ones long takes. Films are 16:9 widescreen, up to 1080p: watch them in the browser or download the MP4, with no watermark. You choose Fast or Cinematic motion before rendering.

Yes. The look follows your references and direction, so a film can be watercolour, ink drawing, gouache, screen print, clay animation, anime-style or photoreal. The showcase includes a clay-puppet film, a teapot-headed trumpeter in 1970s gouache and a darkwave film drawn in the artist’s girlfriend’s ink.

Yes. Every film carries a commercial licence: release it as your song’s official video on YouTube, on streaming services and across social media. You need the rights to the music you upload. If a film looks realistic, YouTube asks you to tick its AI-content disclosure in YouTube Studio.

Yes. Every scene stays editable: retake or edit an image, rewrite a scene’s story, upload your own frame, or retake its video, then regenerate the film. Every take is kept. Scenes you did not touch reuse their clips at no charge, so you only pay for the new motion and the render.

With an active Music Video plan, every finished film comes with a creator pack at no credit cost: the full-quality video, a clean cut without VFX or grade, the VFX layer, every still and clip, cast portraits, the storyboard document, the song as lossless WAV, its stems, transcribed lyrics, and a Premiere, Resolve or Final Cut timeline with beat markers.

Yes, as raw material rather than captions. Tick the lyrics option and the vocals are transcribed and handed to the director as material for the story and its scenes; you can also quote lines in your direction. You get a directed film rather than a lyric video, so no words are printed on screen.

Many tools stretch audio-reactive visuals, stock footage or one animated photo over a track. SoundBoost writes a story for the whole song, shows every scene as a still before you pay for motion, keeps your character consistent, and cuts on the beats and sections of your actual audio file.

Your song is one upload away from a film.

Start with a free 30-second storyboard preview. Like where it is going? Pick a plan and approve: the rest of the storyboard is drawn first, then the film usually follows about twenty minutes later. It runs in your browser, phones included.

Make your music video

Try it free: a 30-second storyboard preview of your own song.